Information interfaces and presentation (e.g., HCI): Miscellaneous. Author Keywords Music recognition notation sensing systems looseness performance H-metaphor casual interactions attunement ACM Classification Keywords H.5.m. Collectively, these support the idea of deliberately introducing ‘looseness’ into interactive systems by addressing the three key challenges of control, feedback and attunement, and highlight the potential role for written notations in other recognition-based systems. We chart the rapid evolution of the system to meet their needs as they strove to integrate music recognition technology into their performance practice, introducing multiple features to enable them to trade-off reliability with musical expression. We collaborated with twenty-three musicians, spanning professionals to amateurs and working with a variety of instruments. The musician composes fragments of music that can be played back with varying levels of embellishment, disguise and looseness to trigger digital interactions. For example in the piece Aberfan (2013) the traditional three piece band line up of guitar, percussion and bass, was mutated, creating instruments from springs, heavily distorting conventional instruments such as double bass and using improvising musicians to accompany a film.ĪBSTRACT We report lessons from iteratively developing a music recognition system to enable a wide range of musicians to embed musical codes into their typical performance practice. For each piece I have explored a different mode of performance. The aim being to break out of the paradigm of the laptop musician staring at a screen and doing little else whilst performing. This research endeavors to expand the idea of electronic music performance and explore different approaches to presenting electronic music in a live context. Noise is an important theme in the work and is used to bind sounds together, to create tension and release and to provide a contrast to the more traditional melodic and rhythmic structures. Noise was used in the composition of the pieces, recorded from field recordings, performed by live instrumentalists or generated by synthesisers. Since being elected, Wilson has focused on keeping South Carolina's families safe, defending their freedom and protecting their futures. The use of improvisation both in the composition and performance of the pieces was also investigated. Alan Wilson was elected South Carolina's 51st Attorney General on November 2, 2010, re-elected to a second term on Novemand re-elected to a third term on November 6, 2018. ![]() ![]() Video has been used in various forms either as a stimulus to improvisation and composition, as an input for sound control, or more traditionally, as an accompaniment to a composition. ![]() Also included is preliminary research in the form of two smaller research projects. The pieces are presented as both fixed media and videos of performances. All Rights Reserved.Within this portfolio are three pieces which explore the use of video, improvisation and noise in the performance and production of electronic music. « Myriad Forum » Powered by YaBB 1 Gold - SP 1.1 ! Mind you, I'm very happy with it, no matter what version it is. Is there a discrepancy between versions for Windows and Mac? Or is the 7.3.1 version only available for the new Intel Macs? I'm on a Mac Powerbook - OS-X 10.4.5. ![]() Just out of curiosity on the website I saw "Melody Assistant Version 7.3.1 March - April 2007" When I checked my own version (downloaded Juli 2007) I noticed it was version 7.3.0c. Topic: Melody Assistant Version 7.3.1? (Read 549 times) Melody Assistant / Harmony Assistant (Moderator: Forum Administrator) You can read all messages, but to be able to post,īoard Home | Help | Search | Polls | Members | Login | Register Myriad Forum « Melody Assistant Version 7.3.1? » Myriad Forum - Melody Assistant Version 7.3.1? Melody send you copies if you would like to view the motions.
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